This season reflects the transformation we are under-going by featuring shows that are shaking things up, showing us new ideas and re-connecting us to San Antonio.
— Claudia de Vasco, ExecutiveArtistic Director
It’s the 1970s, and Lucha spends her days caring for her ailing mother but longs to shake up her life. When a forgotten record sparks her mother’s memory, Lucha and her cousin strike upon a radical idea: to create an all-female mariachi band. Infused with live music played by a live mariachi band, this “big-hearted, musical tug at the heartstrings” reminds us how music and love can make just about anything possible.
“For those of you just tuning in, Thanksgiving is already in progress here at Wembly kitchen. The stands are nice and full, it’s quite a crowd that’s gathered. They’re in for a real treat.” And so, in this lively take on how family is played, over time and memory, and through generations… a pair of sports announcers calls a holiday dinner.
It’s September 16, 1963. The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama. This play with music uses the framework of one of the Civil Rights Era’s leading songstresses’ most blistering songs to give voice to a group of women suffering self-hatred due to the different hues of their skin. A journey that leads these four women through healing and transformation.
When a handsome new Superintendent falls hard for a feisty Union rep, it seems she’s falling right back, despite her dismissal of all things love-related. That is, until employees are refused a seven-and-a-half cent raise, and the pair find themselves on either side of the union protest that results.
When Ren and his mother move from Chicago to a small farming town, he is prepared for the inevitable adjustment period at his new high school. But he’s not prepared for the rigorous local edicts, including a ban on dancing instituted by the local preacher. The heartfelt story that emerges pins a father longing for the son he lost against a young man aching for the father who walked out on him.
This musical begins in the present and moves backwards, tracing the lives of wealthy, jaded composer, Franklin Shepard, and his two estranged friends through each milestone of their personal and professional lives (good and bad). The show ends with a touch of rueful irony, as the three best friends now at the start of their careers face a bright future: young, talented and enthusiastic about the worlds waiting to be conquered.